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Manifesto for
the Spring Festival, International House, UC
Berkeley, California
In greater and greater
numbers, people are beginning to believe that
painting is dead. Now, after an incredibly fecund
period in the twentieth century, full of artistic
developments, it is time to open new paths,
recognizing that profit is not, and should not be,
the principal criterion dominating contemporary art
and driving creative expression. Otherwise those
who believe that art is dead will inevitably be
proven right.
This realization, which is
emerging everywhere in the world, exists on every
level: political, economic and environmental.
Priority is given here to the cultural level.
After having explored the
medium, the color, the light, the form, after
having been ideological, expiatory, or activist,
after having been the mirror of our consumer
society, or the depiction of our unconscious,
Pictorial Art is ready to close the chapter on the
20th century and start a fresh page.
This new art mustn't be
only the representation of what we are, but also
the representation of what we would like to be.
The contemporary art scene
does not always give the artist the liberty to
adhere to this ideal. We are too often forced to
work under the constraints of public or private
expectations, where the prevailing taste is towards
the large and the conventional. Rather than
painting according to the dictates of our
sensibility, which might tell us that a more modest
format offers greater accessibility without
sacrificing either integrity or scope, we are
impressed onto an Art assembly line, reluctant
slaves to fashion and unwilling panderers to
profit.
I would like to propose a
new path, one I consider rich with possibilities.
It is an art form based on a contemplative
approach, drawing for its inspiration upon the
poetic representation of the fractal world and the
universal symbol of the spiral. This art form is a
reflection of the creative process itself, and
shows us that the three axes of Art, Spirit and
Science, despite their differing criteria of Truth,
are each an expression of the same exploration of
the mystery of creation.
This Pictorial Proposition
I have chosen to give the name: Fractal
Syncretism.
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